Wednesday 23 October 2013

resonance

No images for this post; just a big thank you to the Masters students at GSA today; talking about reflective writing, what it could be, why we do it as creative people as an integral part of our practice.

I can't really imagine a time when I wont do it and I find it difficult to understand how a creative person could survive without it. The benefits far outweigh the time spent thinking through writing, it opens up new worlds.

There is no 'correct' way to do, if it works for you then it must be 'right'. Personally, I write reflectively in order to think unconscious thoughts, to help organise my hectic mind, to clear space within my head for new thoughts.

I blog to feel 'grown up', to connect, to seek resonance and discourse. Between the two, journal writing or blogging, the journal wins hands down. I am in my journal in a way that I am in no other aspect of my creative practice, I reveal the unspoken........to myself.


Tuesday 22 October 2013

heuristic research and mirrors

I'm sure many thousands of psychology researchers have come across heuristic research, but it was new to me, as an artist and what's more interesting, it feels so familiar. The idea of complete immersion, solipsistic, isolated, staring into the mirror day after day and seeing so many faces looking back down over the years..............this is compelling. It's also very difficult to sustain without the feeling that you're slowly going slightly crazy. I'd like to have been around when Moustakas first wrote of this way of doing research, but I was too young, too distracted, just not ready to look into the void.

What bothers me slightly, regardless of how comfortable this type of research feels, is 'am I doing it right?'. This may not matter too much (at this stage) as there is no 'right', or so it seems. Is this too good to be true? I wonder? Phenomenological research offers many pathways, this is just one of them. But it has encouraged me to look again at what I'm doing, the question of rigour, integrity and variable truths. I'm now reflecting on some of the summer collages of this year, the visceral ones, where writing was almost impossible, apart from describing the process itself, my choice of materials etc. I wrote very little of their meaning, just needing the images to speak for me. Immersion and incubation have been and gone, I'm now at the illumination stage. Expilcation comes later. The creative synthesis is way down the line of thought, out of sight.

I'm doing a short talk at the GSA tomorrow on this blog and on reading back over these months of posts, it feels as if the chosen content is becoming much more serious, less conversational, (if it ever was that?) more contemplative, more questioning..............more 'grown up'. Or is it just me seeing it that way as I delve down into very uncomfortable undergrowth? I only tend to add a post when there is some aspect of the research I want to put out there, to share, to invite comment, or just to let go of it for a while. Initiating discourse would be good, the challenge to look again at the work in new ways would help me.